no.16. 2003









































































































Hashtag:
CHIANG Shu-chen The Merlion and the Hibiscus byMukherjee, Singh, and Quayum (eds.) AND Singaporean Literature in English by Quayum and Wicks (eds.). Mihhail LOTMAN 普爾思、索緒爾與符號學基礎 Joachim von der THÜSEN 描繪威蘇維火山:十八世紀風景畫沿革 亞細安女作家/劇作家 Mohammad A. QUAYUM 林玉玲訪問記 Mohammad A. QUAYUM 林玉玲《馨香與金箔》中的國族、性別、與身分論述 馮品佳 漂泊離散中的華裔馬來西亞英文書寫:林玉玲的《馨香與金箔》 WONG Soak Koon 介入「國家」敘事:芝.胡思娜.阿姿哈芮的吉蘭丹故事 Catherine DIAMOND 宰制女人:越南與泰國女劇作家的創作表現#國族主義、性別、身分、離散、全球論, Nationalism, gender, identity, diaspora, hybridity, globalism, 亞洲劇場、女性劇作家、越南、泰國,女性劇場, Asian theatre, women playwrights, Vietnam, Thailand, feminist theatre, 華裔馬來西亞英文書寫、林玉玲、《馨香與金箔》, Chinese Malaysian English writings, Shirley Geok-lin Lim, Joss and Gold, :「國家」論述、霍米·答答的「教示」與「演示」、馬來穆斯林身分 認同、習俗與伊斯蘭教義、芝·胡思娜的吉蘭丹故事集、對「國族」的 質疑, Narrative of "nation," Malay-Muslim identity, Homi Bhabha, "pedagogical" and "performative," customs (adat) and Islam, Che Husna's Kelantan tales, interrogation of "nation", 普爾思、索緒爾、符象、符號學基礎、知識, Charles Sanders Peirce, Ferdinand de Saussure, sign, foundations of semiotics, knowledge, 火山、維蘇威火山、地質學、景觀與風景畫(十八世紀義大利)、壯 麗與瑰麗, Volcanoes, Vesuvius, geology, landscape and landscape painting (Italian, eighteenth-century), sublime and beautiful
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