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no.22. 2006




Mary E. Theis
藝術與文學的新視界
Re-Visioning Arts and Literature
The Music of Metaphors in Selected Plays by Liudmila Petrushevskaia: When a House Is Not a Home


Yang Ming-tsang St. Thomas à Becket and English Identity in the South English Legendary
李淑卿 藝術與科學融合：英國浪漫時期的天空習作
Ron S. Judy The Obtuse Ideogram: A Second Look at the Imagist “Third Term”
張錦忠 （離散）在台馬華文學與原鄉想像
李怡瑾(李湘琳) 高行健戲劇藝術的「跨領域」芻論：以中山大學劇場藝術學系 2005 年製作的《車站》為例
Philip Edward Phillips Robert Browning’s Poetry of Loss: “Prospice” and “To Edward Fitzgerald”
Jongsook Lee Translational Space and Representation of Emotion: Vergil and Shakespeare

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Hashtag: Mary E. Theis 藝術與文學的新視界 Re-Visioning Arts and Literature The Music of Metaphors in Selected Plays by Liudmila Petrushevskaia: When a House Is Not a Home Yang Ming-tsang St. Thomas à Becket and English Identity in the South English Legendary 李淑卿 藝術與科學融合：英國浪漫時期的天空習作 Ron S. Judy The Obtuse Ideogram: A Second Look at the Imagist “Third Term” 張錦忠 （離散）在台馬華文學與原鄉想像 李怡瑾(李湘琳) 高行健戲劇藝術的「跨領域」芻論：以中山大學劇場藝術學系 2005 年製作的《車站》為例 Philip Edward Phillips Robert Browning’s Poetry of Loss: “Prospice” and “To Edward Fitzgerald” Jongsook Lee Translational Space and Representation of Emotion: Vergil and Shakespeare#蘇維埃文化疏離與無家感、文化空間的失落, Soviet cultural alienation and homelessness, lost cultural space, 《南英格蘭傳奇》、貝克特、亨利二世、國族、英格蘭認同、英國性、外 國性, South English Legendary, Thomas Becket, Henry ll, nation, English identity, Englishness, foreignness, sky studies, clouds, sketching from nature, meteorology, J. M. W. Turner, John Constable, Cornelius Varley, 天空習作、雲、戶外速寫、氣象學、泰納、康斯塔伯、瓦利, :龐德、艾森斯坦、羅蘭·巴特、意象主義,意象派詩人、表意符號、電 影、解構、表意符號的意識型態, Ezra Pound, Sergei Eisenstein, Roland Barthes, imagism, Imagists,ideogram, film, deconstruction, ideology of signifier, Mahua literature in Taiwan, homeland, imaginary homelands, Li Yongping, Huang Jinshu, 在台馬華文學、原鄉想像、原鄉、故鄉、李永平、黃錦樹, Cross domain, Stylization, theatricality (la theatralite), National style, GAO Xingjian's Play view, 跨領域、假定性、劇場性、民族形式、高行健戲劇觀, 《期待〉、〈致愛德華·費茲傑羅〉、羅伯·布朗寧、維多利亞時期 詩歌、輓詩, Prospice, To Edward FitzGerald, Robert Browning, Elizabeth Barrett Browning, Edward FitzGerald, Victorian poetry, elegy,Hamlet, Aeneid, Dido, Translational space, Intertextuality, Women's voice, 《哈姆雷特》、《伊尼亞德》、戴朵、翻譯的空間、互文性、女性聲 音
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