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no.24. 2007

陳希茹 威爾第的莎士比亞:論《奧泰羅》的時代性
Koay Kheng-Keow The ‘Cambiata’ Motive and Cyclic Form in Schnittke’s 4th String Quartet and 3rd Piano Sonata
朱靜美 愛麗絲『黑色』夢遊記:茱利.泰摩的前衛莎劇電影《泰特斯》
李紀舍、黃宗儀 東亞多重現代性與反成長敘述:論三部華語電影
Chen Yin-I Between the Flâneur and the Badaud: Benjamin and the Modern Mass Perceptual Experience
Yang Ming-Tsang Signs of Sensuality and Spirituality: The Poetics of Emotion in Julian of Norwich’s Revelations of Divine Love
Chang Yu-yen Pharmako [φάρμακο]: Plague, Miasma, and Exile in Sophocles’ Three Theban Plays
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Hashtag: 陳希茹 威爾第的莎士比亞:論《奧泰羅》的時代性 Koay Kheng-Keow The ‘Cambiata’ Motive and Cyclic Form in Schnittke’s 4th String Quartet and 3rd Piano Sonata 朱靜美 愛麗絲『黑色』夢遊記:茱利.泰摩的前衛莎劇電影《泰特斯》 李紀舍、黃宗儀 東亞多重現代性與反成長敘述:論三部華語電影 Chen Yin-I Between the Flâneur and the Badaud: Benjamin and the Modern Mass Perceptual Experience Yang Ming-Tsang Signs of Sensuality and Spirituality: The Poetics of Emotion in Julian of Norwich’s Revelations of Divine Love Chang Yu-yen Pharmako [φάρμακο]: Plague, Miasma, and Exile in Sophocles’ Three Theban Plays#威爾第、莎士比亞、奧泰羅、人物分析、死亡、許尼特克、二十世紀音樂、當代俄國音樂、Verdi, Shakespeare, Otello, Character analysis, death, Alfred Schnittke, 20th-Century music, Contemporary Russian Music.莎劇電影,茱莉·泰摩,莎劇泰特斯、Shakespearean film, Julie Taymor, Titus Andronicus.全球化、多重現代性、東亞城市、青少年(反)成長敘事、globalization, multiple modernities, East Asian cities, anti-bildungsroman.Benjamin, modern mass visuality, distraction.班雅明、現代大眾視覺、心神渙散、Julian of Norwich, Revelations of Divine Love, sensuality, spirituality, emotion, image, reason, memory, emotional community.諾維奇的朱莉安《愛的啟示》感性、靈性、情感,圖像、理智、記憶、情感 社群、Pharmako , Sophocles, Oedipus, Thebes, Athens, plagues, miasma, polis, exile, scapegoat.藥/毒、索福克里斯、底比斯城、雅典、瘟疫、污染、城邦、放逐、替罪者
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