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no.26. 2008




Kuo-jung Chen
離散與族裔研究
Diaspora and Ethnic Studies

Landscape and Nationalism in Tobias Smollett’s Humphry Clinker



Sheng-mei Ma Asian Diaspora Does Vegas: Waves of Working- and First-Class Gamblers
Hillary I. LaMont Interrogating the Shadow-Line between Joseph Conrad and Amitav Ghosh
Tunde Adeleke Black Studies and Globalization: A Critique of Afrocentric Essentialism
陳潔儀 《我城》的現代性:「未來觀」與「時間共存」
Ruby Ju-ping Kuo How Romantic is a Romance?: Sir Kenneth’s Aesthetic Experiences in Walter Scott’s The Talisman
劉見成、張燕梅 和諧與至樂:威廉詹姆斯與老莊
鄭明中 中塞式小稱在喉塞化小稱發展過程中的過渡角色
編輯室 本刊第 25-26 期索引
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Hashtag: Kuo-jung Chen 離散與族裔研究 Diaspora and Ethnic Studies Landscape and Nationalism in Tobias Smollett’s Humphry Clinker Sheng-mei Ma Asian Diaspora Does Vegas: Waves of Working- and First-Class Gamblers Hillary I. LaMont Interrogating the Shadow-Line between Joseph Conrad and Amitav Ghosh Tunde Adeleke Black Studies and Globalization: A Critique of Afrocentric Essentialism 陳潔儀 《我城》的現代性:「未來觀」與「時間共存」 Ruby Ju-ping Kuo How Romantic is a Romance?: Sir Kenneth’s Aesthetic Experiences in Walter Scott’s The Talisman 劉見成、張燕梅 和諧與至樂:威廉詹姆斯與老莊 鄭明中 中塞式小稱在喉塞化小稱發展過程中的過渡角色#地景、國族主義、史摩立特、《韓福瑞・克林克》、亞洲離散、拉斯維加斯、賭博、亞美、康拉德、《暗影邊界》、埃米塔瓦·格什、《暗影界線》、地域、全球化、非洲中心論、離散、泛非、全球種族化、跨文化主義、現代性、一九七零年代的香港、預示作用、多元敘述視點、時間共存、《符咒》、美、雄渾、美感經驗與判斷、康德、不可見秩序、和諧、至樂、神秘經驗、andscape, nationalism, Tobias Smollett, Humphry Clinker, Asian diaspora, Las Vegas, gamble, Asian American, Joseph Conrad, The Shadow-Line, Amitav Ghosh, The Shadow Lines, place, globalization, afrocentrism, diaspora, pan-Africa, gloracialization, interculturalism, modernity, Hong Kong in 1970s, anticipation, multiple point-of-views, coexistence of different temporalities, The Talisman, the beautiful, the sublime, aesthetic experiences and judgment, Immanuel Kant, unseen order, harmony, supreme happiness, mystical experience
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